Videography

The camera is a Panasonic Lumix GH5 and it shoots in 4K 30/25p/24p at 4:2:2 10 bit.

With the 2.0 firmware update, the GH5 features…

ALL-I intraframe codec for true 24/25 frames a second at 400mbps gets rid of ‘judder’ when panning. The codec is so good there’s no need for Pro Res.
HDR 10 – Hybrid Log Gamma in the HDR format in a 10 bit codec.
The GH5 will be the only commercial camera with HDR 10.
10K cinemascope footage (shot with a 2X anamorphic lense, which I do not have).

I have 2 x Angelbird 128 GB v90 SDXC cards to record such dense footage (v90 cards are the fastest on the market right now).

The Sennheiser MKE 600 shotgun microphone is connected to the

Panasonic LUMIX GH5 XLR Pro which records audio at 96 kHz at 24 bit.

The monitor is a Lilliput A7, which is 1920 x 1200 and features 8 bit colour accuracy.

My lenses are the following in order of speed…

I have selection of filters including a LCW ND fader mk II and a Gobe polarising filter.

For on-the-go shooting I have a Neewer Shoulder Mount.

For tracking shots with the GH5 I use the Neewer cage.

The 5 axis stabilisation (IBIS) of the GH5 combined with the O.I.S. of the lenses almost negates the need for a dedicated gimbal.

I have 2 tripods. Both are Manfrotto 055XPROB models.

The Manfrotto MVH 500 AH head is for video work

and the Manfrotto 496RC2 for stills photography.

The tripods can be used for a 2 camera set-up with my Panasonic Lumix GH3.

I also have the Manfrotto MVMPRO500 monopod, which is ideal for tight spaces and for run and gun shooting.

I have 2 x LED lights the bigger is the Aputure Amaran AL-528W and the other is the Yongnuo YN 300.